Changing the pace of the viewer

Goldsworthy seeks the “energy that is running through, flowing through the landscape.” Not to capture it, clearly, but to participate in it. He speaks slowly, carefully, and the viewer adjusts to his pace. Not a single abstract spiritual or philosophical term turns up – the sculptor employs direct and concrete words only – but the effect is like a 90-minute session with a Zen master showing us how to “be here, now.”On an icicle job, he notes that heat and melted water created his artistic medium, while the rising sun will destroy it: “the very thing that brought it to life, will bring about its death.”